孤岛惊魂

本周如何观看由哈雷彗星引起的2022年猎户座流星雨_我的网站

A |     当彗星碎屑与我们的大气层相撞时，它们在转瞬即逝的瞬间燃烧起来，产生流星穿过天空。    

    Staff members work on a short-form drama in Jiaxing, East China's Zhejiang Province, on July 21, 2026. Photo: VCG
Open Douyin, the Chinese version of TikTok, and AI-generated short dramas are hard to miss.
The stories span almost every genre familiar to Chinese audiences, from fantasy and immortal cultivation to urban romance and period tales.
The biggest difference is that the actors, settings and even many of the visual elements are generated by artificial intelligence (AI).
One of the latest hits is The Inverse Zone, an original mystery-thriller about monsters that has been dubbed an AI version of Stranger Things. The series has released three episodes so far, each receiving more than 1 million likes on Douyin.
Yet the team behind it consists of just three people, all born after 2000.
While Hollywood is still catching up with the short drama boom, China's short-drama industry is already moving into the AI era.
For many young creators, AI is not just another tool - it is a door that small teams could never have opened before.
"We've always wanted to make professional film and television content, with visual language, complete storytelling and a cinematic feel," Hu Hai, a member of the team behind The Inverse Zone, told the Global Times. "But the cost and barriers of live-action production were too high. Small teams had little chance to realize high-quality film and television projects."
As increasingly capable domestic AI models emerged, that door began to open. "The maturity of AI creative tools made us see new possibilities," Hu said.
The explosive growth of AI-generated short dramas is a double-edged sword: It opens doors for some, but leaves many in the industry uncertain about what comes next. Many actors who once benefited from the short-drama boom are now finding work increasingly scarce, with some turning to other professions. Meanwhile, the use of celebrities likenesses in AI-generated content (AIGC) has ignited a fresh wave of debate.
Where is the industry headed next? Global Times reporters spoke with AI creators, short-drama actors and industry experts about the opportunities and uncertainties ahead.
         Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Lowering barriers

Hu studied directing and filmmaking in college. His team initially focused on short comedy videos, a field with relatively low production costs and less barriers to entry. But after years of producing this type of content, they eventually reached a creative plateau. That began to shift as more advanced AI tools came onto the scene.
To produce The Inverse Zone, the team used domestic video-generation models Seedance 2.0 and 2.5. The series took nearly two months to prepare, including world-building, character design and establishing a consistent visual style. "Seedance is the best in the world. It's extremely advanced. There's no model in Europe or the US that is more useful than it," Hu told the Global Times.
The technology does not mean production is effortless, however.
According to Hu, a typical episode costs around 4,000 to 5,000 yuan ($593-$741) to produce, while episodes involving large-scale scenes, complex special effects or demanding lighting and rendering can cost more than 10,000 yuan.
The team used AI for image generation, basic voice work and material rendering, while humans remained responsible for the script, character development, cinematography and post-production.
"The soul of the entire series is still controlled by people," Hu said. "All the key creative decisions are manually adjusted and repeatedly reviewed."
Ya Cen, operations head of AI video platform LibTV, told the Global Times that the AI short-drama ecosystem is now characterized by small teams, high productivity and strong individual styles. "The most direct value of AIGC is that it has lowered the geographic and financial barriers to film and television production," she added.
    Screenshots from the AI-generated microdrama The Inverse Zone Photo: Courtesy of Hu Hai
Actors in AI era
Yet the rise of AI short dramas is also creating new tensions.
AI-generated characters are now building fanbases, landing brand endorsements, and being described as the next generation of digital stars. At the same time, many celebrities including Taiwan actress Joey Wong have reportedly given permission for their younger likenesses to be used in AIGC.
The impact extends beyond celebrity likenesses. It is also being felt by people who once benefited from China's booming live-action short-drama industry.
The short-drama boom created opportunities for large numbers of actors, many of whom could quickly become recognizable faces. However, as AI-generated productions expand, some performers are finding fewer acting opportunities and turning to other professions.
Chongqing native Luo Xinyuan, 21, has experienced that shift firsthand.
She spent more than a year in Hengdian, East China's Zhejiang Province as a short-drama actress. Since May, she has worked at a scenic area playing Huang Rong, a character from a classic Chinese martial arts novel The Legend of the Condor Heroes.
"When short dramas were at their peak, there were lots of fast-paced, feel-good stories," Luo told the Global Times. "But that kind of content is difficult to sustain. Without richer and more meaningful stories, the pressure from AI short dramas will make things even harder."
For many short-drama actors, the disruption is likely to be structural rather than an immediate wholesale replacement, Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times. The question of celebrity likenesses may prove even more complicated.
Zhang warned that unrestricted authorization could raise concerns over control and revenue sharing. Without clearer rules, the technology could put further pressure on ordinary actors.
The next stage may not be a choice between humans and machines, but a new production model in which the two increasingly work together.
For creators such as Hu, that possibility is already here.
"AI has finally given young creators like us the opportunity to realize the film and television dreams we've had for years," he said.
。较大的或移动较慢的碎片可以燃烧成更大、更亮的火球。2022年的猎户座流星群将在美国东部时间10月20日（周四）晚上到第二天早上达到高峰。美国流星协会预测，在理想的条件下，天空观察者每小时可以捕捉到15到20颗流星，但有时流星雨的爆发会让人惊讶，是这个数字的三倍。美国流星协会的Bob Lunsford在为AMS撰写的一篇博文中解释说：“看到这些流星的最佳时间是在凌晨1点到黎明（当地时间）。在活动最频繁的时候，这些流星的源头就在猎户座的微弱‘俱乐部’的东边。这个位置也位于被称为参宿四（猎户座α）的明亮橙色恒星的东北方向约10度。10度相当于一个人手臂伸直时的拳头。”如果你出去寻找猎户座流星雨，你可以尝试遵循Lunsford的提示，或者通过使用Stellarium等应用程序定位猎户座来走捷径。把星座放在你视野的中心，将有助于最大限度地体验，但任何对夜空有适当的宽阔视野的人都会有很好的机会捕捉到这些流星。今年是一个高于平均水平的年份，可以在高峰夜发现猎户座流星雨，这是因为月亮在猎户座的另一侧天空中是一个相当暗的新月。这意味着它不会像更亮的时候那样影响很多微弱的流星，但是你总是可以通过把微弱的月亮放在你的背后或者尽可能远离你的视线中心来最大化你的情况。作为奖励，猎户座流星群并不是本周唯一活跃的流星雨。

B | 持续时间长的金牛座流星雨和一些小的流星雨也可能每小时贡献几颗流星。金牛座流星雨的移动速度明显较慢，这意味着它们可以产生更多明亮的火球。所有这些加起来就是一年中最适合欣赏天空中小火的夜晚之一。唯一不能真正控制或考虑的因素是你所在地区的云层。如果天气好的话，尽可能远离光污染，到一个视野开阔的地方，躺在休闲椅或毯子上，享受夜空中的美景。给自己至少一个小时的观看时间，包括让你的眼睛适应黑暗的时间。一定要带上你需要的保暖用品和一些零食，以免你被诱惑跑进屋里。

C | 然后就放松地观看“表演”。

D |

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Published on:00:51:35